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And like his characters, he doesn't pull any punches. Often regarded as the final installment in a Mafia trilogy that includes Mean Streets and GoodFellas , Casino covers a year period as it charts the exploits of Sam "Ace" Rothstein De Niro , manager of the casino at the fictional Tangiers Hotel in Las Vegas, and his pint-sized gangster partner, Nicky Santoro Pesci , who cleans up all the messes while making more than a few of his own.

Into the mix walks Ginger McKenna Sharon Stone , a drop-dead gorgeous hooker who's beholden both professionally and emotionally to her slimy pimp Lester Diamond James Woods.

Sam becomes obsessed with Ginger and aggressively pursues her. She tells him she doesn't love him, but like any rich egomaniac, Sam believes he can buy Ginger's affection.

Their marriage is a study in distrust, lies, jealousy, betrayal, acrimony, and over-the-top histrionics peppered with heaping helpings of alcohol and cocaine.

Meanwhile, Nicky gets too big for his britches, too, indulging his tough-guy persona to the nth degree. Acting on impulse and fueled by the stimuli of a city that runs on power, greed, loyalty, sexual favors, bribes, and - oh yeah - gobs and gobs of cold hard cash, Sam, Ginger, and Nicky begin to flame out, and the resulting carnage is epic.

It runs a tad too long, but it's never, ever boring, thanks to Scorsese's elegant style, which is often more electric than all the neon lights on The Strip.

With a master's hand, Scorsese weaves a hypnotic spell, capturing the true essence of Vegas - both its glossy, gaudy veneer and the rank corruption and putrid cesspool that lie just beneath it - all while developing complex, flawed characters who become at first engulfed and then devoured by their surroundings.

Few filmmakers can juggle so many balls without eventually dropping any of them, but Scorsese can and does here. That's a difficult dichotomy to produce, but somehow Scorsese pulls it off.

The man truly is a filmmaking genius. The result is a fascinating, altogether captivating portrayal that justly earned her a Best Actress Oscar nomination the only Oscar nod the movie received.

Every time I see Casino I like and appreciate it more. Casino bets big and it delivers a huge payoff. How can anyone not love that? A Blu-ray version of the film and leaflet containing a code for the Movies Anywhere digital copy are tucked inside the front cover.

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Colors are absolutely brilliant. Talk about saturation! From primaries to pastels, all the hues assault the senses, but never look overly pushed.

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Due to extensive game manipulation, this applies to all players, regardless if they have any bonus or not. Unfortunately, I still have some problems with Scorsese's penchant for onscreen violence.

I know, I know, I sound like Michael Medved. Even 'Casino's now-infamous "vice torture" scene notwithstanding, all the bloodletting felt gratuitous long ago.

Rather than gingerly applied a la ''The Godfather' to add the proper Grand Guignol-meets-Italian Opera bravura, or -- as Scorsese himself did so effectively in ' Taxi Driver ' confining it to a single scene of orgiastic release as a legitimate storytelling device, in 'Casino' there seems to be an almost gleeful preoccupation with brutality that I find juvenile an indulgence that also mars 'GoodFellas' and 'Gangs of New York'.

And as great a pair as De Niro and Pesci make onscreen what ever happened to the latter's career, anyway? We know Pesci's Nicky is as fragile as he is psychopathic, and I understood how his self-possession led to his violent outbursts -- I just didn't need to see every one of them.

But even discounting the moments of 'Casino' that I couldn't watch because I was cowering behind my fingertips, I enjoyed the hell out of the rest of it.

It looks great. The film got a nice restoration for standard-def DVD back in , that master serves as the basis for the high-def version. The image looks glittery and glamorous, thanks both to the high-resolution and Robert Richardson's sterling cinematography.

Blacks and strong contrast give the picture real snap, crackle and pop -- I loved watching Scorsese's camera march through the casino floor like that little kid on his big wheel in Kubrick's ' The Shining.

And yes, during that "the muffin has too many blueberries" scene, you can count each one. Colors are excellent, with rich hues solid and free of noise.

Fleshtones are also spot-on, with Sharon Stone never looking more orange and lovely. Sure, I could complain -- some scenes are a bit overly-contrasted with bloomy whites, and shadow delineation can suffer ever-so-slightly due to crushed blacks.

But this is minor stuff -- in terms of picture quality, 'Casino' hits the jackpot on Blu-ray. Because he's considered such a visual stylist, it's often overlooked how expertly Martin Scorsese also assembles the soundtracks to his films.

More than just the composer he selects or the "songtracks" he creates, the way Scorsese combines and balances the various sonic elements is truly craftsman-like.

Though it may not be overpowering like a big action flick, 'Casino' is so finely-attuned it is worth considering as demo material for those who appreciate subtlety over bombast in their home theater soundtracks.

The upgrade is a fair one. I was surprised at how full-bodied and spacious dynamics were the last time around, but here the high-end is a tad brighter and mid-range fuller.

The film particularly comes alive in the casino scenes, from the clear and sparkly highs no distortion or tinniness here to the deep low bass.

Surround activity remains flush with sustained ambiance, which is slightly more robust on the DTS-MA. Discrete sounds are frequently directed to individual speakers with seamless pans, and great use of songs helps to create a strong degree soundfield.

Quieter moments in the film still feel front-directed, but there remains subtle use of atmosphere which is wonderfully well-modulated and subtle.

Dialogue is also perfectly balanced in the mix. This isn't a big-budget action movie, but 'Casino' still delivers audio that is perfectly suited to the material.

Here we go again.

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All Star Slots. Colors are excellent, with rich hues solid and free of noise. Fleshtones are also spot-on, with Sharon Stone never looking more orange and lovely.

Sure, I could complain -- some scenes are a bit overly-contrasted with bloomy whites, and shadow delineation can suffer ever-so-slightly due to crushed blacks.

But this is minor stuff -- in terms of picture quality, 'Casino' hits the jackpot on Blu-ray. Because he's considered such a visual stylist, it's often overlooked how expertly Martin Scorsese also assembles the soundtracks to his films.

More than just the composer he selects or the "songtracks" he creates, the way Scorsese combines and balances the various sonic elements is truly craftsman-like.

Though it may not be overpowering like a big action flick, 'Casino' is so finely-attuned it is worth considering as demo material for those who appreciate subtlety over bombast in their home theater soundtracks.

The upgrade is a fair one. I was surprised at how full-bodied and spacious dynamics were the last time around, but here the high-end is a tad brighter and mid-range fuller.

The film particularly comes alive in the casino scenes, from the clear and sparkly highs no distortion or tinniness here to the deep low bass. Surround activity remains flush with sustained ambiance, which is slightly more robust on the DTS-MA.

Discrete sounds are frequently directed to individual speakers with seamless pans, and great use of songs helps to create a strong degree soundfield.

Quieter moments in the film still feel front-directed, but there remains subtle use of atmosphere which is wonderfully well-modulated and subtle.

Dialogue is also perfectly balanced in the mix. This isn't a big-budget action movie, but 'Casino' still delivers audio that is perfectly suited to the material.

Here we go again. Per its recent trend, Universal has cut up much of the making-of material found on the HD DVD of 'Casino' and repurposed it as a Blu-ray-exclusive picture-in-picture commentary.

This time, the featurettes found on the very spiffy anniversary DVD re-issue of 'Casino' are now ported over to the exclusive section below, which leaves the standard suite of extras feeling a bit undernourished by comparison.

This fresh Blu-ray version is the equal to the previous HD DVD in terms of video, and even better with audio thanks to the inclusion of a high-res track.

I'm still not entirely sold on Universal's obsession with repackaging the old extras as cobbled-together picture-in-picture exclusives, but at least the content is here in some form.

Bottom line, 'Casino' on Blu-ray is well recommended. Portions of this review also appear in our coverage of Dunkirk on Blu-ray.

Founded in April , High-Def Digest is the ultimate guide for High-Def enthusiasts who demand only the best that money can buy.

Updated daily and in real-time, we track all high-def disc news and release dates, and review the latest disc titles. Blu-ray: Highly Recommended.

Sale Price 9. Leave A Comment. Audio Commentary - Dubbed "Moments with Martin Scorsese, Sharon Stone and Nicholas Pileggi," this track is actually just an edited, audio-only hodgepodge of excerpts from the video interviews used for the featurettes.

The result is a fascinating, altogether captivating portrayal that justly earned her a Best Actress Oscar nomination the only Oscar nod the movie received.

Every time I see Casino I like and appreciate it more. Casino bets big and it delivers a huge payoff. How can anyone not love that?

A Blu-ray version of the film and leaflet containing a code for the Movies Anywhere digital copy are tucked inside the front cover. Once the disc is inserted into the player, the full-motion menu with music immediately pops up; no previews or promos precede it.

At times, I felt as if I was watching this Martin Scorsese picture in an actual theater, so warm, balanced, and beautifully textured is the image.

Film grain is present, which is a very good thing, but it's such an organic component of the picture, it rarely stands out on its own.

I kept wondering as I watched this three-hour movie how such an astounding level of clarity could be obtained without producing distracting grain levels, but somehow that elusive symbiosis has been achieved and remains consistent throughout.

Colors are absolutely brilliant. Talk about saturation! From primaries to pastels, all the hues assault the senses, but never look overly pushed.

From De Niro's salmon jacket with pink shirt and tie or yellow jacket with yellow shirt and tie or purple jacket with lavender shirt and tie I'm not ashamed to say I would love to have De Niro's wardrobe from this film!

In addition, the textures of the fabrics and jewelry are marvelously detailed, intricate patterns are crisp and rock-solid, depth of field is palpable, flesh tones are spot-on, and close-ups are so razor-sharp you can pick out the individual pores on the bridge of De Niro's nose.

Black levels are rich and inky, Stone's white chinchilla fur pops off the screen, and shadow delineation is excellent. Reflections are crystal clear, too, especially those shot off of De Niro's sunglasses both in the desert and at poolside in a scene with Alan King.

I could probably watch the whole movie reflected on those sunglasses and not be disappointed. Even the psychedelic Elaine and Saul Bass title sequence see photo above that features extreme close-ups of neon signs that purposely blur and bleed look spectacular.

The Blu-ray transfer also looks great if a tad too bright , but it flaunts nowhere near the level of clarity, depth, warmth, contrast, and especially color intensity that burst from every frame of its 4K UHD counterpart.

Watching bits and pieces of the Blu-ray only heightened my appreciation of the 4K UHD transfer as if it wasn't already heightened enough!

It's truly reference-quality stuff for a s film. It even eclipses many of the transfers for the newest digitally-shot 4K releases.

It's that simple. There's the omnipresent background music covering an incredible array of styles from classical and jazz to rock and disco, voiceover narration, and the atmospherics of various Vegas scenes along with dialog delivered underneath the narration.

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